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Harsher in Hindsight: The "promotional manga" informing the public on the use of spent nuclear fuel in manga Volume 4, supposedly put out by a Paper-Thin Disguise for the Tokyo Electric Power Company (TEPCO) (complete with Maria briefly turning into a marionette with visible strings).Germans Love David Hasselhoff: Spanish and French editions were popular enough to have all volumes translated compared to the English version which only had 14.Harumi then holds the drink pouch in one hand and a manga volume in the other, and Chiri has her hands at her side, visible. During a rainstorm, Chiri gives Harumi a drink pouch under an umbrella (Harumi is holding it initially). Fridge Logic: Lampshaded once during the whole "thank-you thievery" bit.Even Ryogo Narita, the author of Durarara!!, ships them. Chiri and Fujiyoshi, who are childhood friends, are already proving to be quite a popular couple as well, and have several hints scattered around.The popularity boosted upon the revelation that Kafuka was Dead All Along. Despite the series being extremely obvious about pairing Nozomu/Kafuka, it wasn't a very popular pairing, because of Kafuka being a Manic Pixie Dream Girl to him, something that fans consider rather cliche.Finally, the author decided to Throw the Dog a Bone to the fans, by revealing that Kudou has feelings for Nozomu because of the blood transfusion he received from Kafuka, thus becoming part of Nozomu's harem in the end.And it looks like SHAFT are after picking up on it too, including some official ◊ art ◊ with ◊ teasing ◊ that wasn't present in the original manga. Not bad for a series primarily filled with girls. It has the most doujin count along with the most fanart count. Many fans find the more subdued Kudou to be much better to the depressive Nozomu than the cheerful Kafuka because Nozomu and Kudou's personalities mesh well together, despite rarely interacting in-series.Fan Nickname: The Despair Girls, for Nozomu's Unwanted Harem.Esoteric Happy Ending: Big Time! At least the main characters are happy.It's quite possible to say that nearly every single recurring or main character has their own fandom.I guess people like their Yandere Knife/ Shovel nuts? Ensemble Dark Horse: Chiri gets an awful lot of fan art dedicated to her, and she seems to get more screen/panel time than any of the other Despair Girls except maybe Kafuka (who's probably closer to a main character since she's explicitly Nozomu's foil).Suicidal teacher winning the love and affection of his students by promising to take them with him when he does it, hilarious. Crosses the Line Twice: Suicide, not funny.One memorable moment in particular during Matoi's story in Season 1, where she runs off from Arai's office, it suddenly switches to. Big-Lipped Alligator Moment: Being the series it is, there is a lot in the anime.Made even better by the fact that Itoshiki's voice actor does the vocals, quite well too! The ending themes are an appropriately crazy mix of styles that manages to mesh, from swing jazz to surf rock to punk-infused cabaret. The opening themes all use a mixture of punk vocals (for the main singer), J-poppy backup singers, grunge guitar and (for the fourth OP) soaring piano melodies.Awesome Music: The soundtrack varies between hauntingly beautiful orchestral pieces as season main themes, great piano minuets for Nozomu, and the rather light, silly fare used for the rest of the show.Acceptable Targets: Frequent targets including pervy otaku or NEET guys, immigrants, and China "a certain country" whose constant spying on Japan goes unacknowledged by the government for political reasons (North Korea gets a similar treatment).I'm in despair! Debatable elements about this series have left me in despair!
As well as watercolour reconstructions of some of the palace’s famous frescoes, highlights include beautiful pottery decorated with patterns of repeated rosettes, or strikingly detailed octopuses Linear B tablets and intriguing examples of yet-to-be deciphered Minoan hieroglyphs religious items jewellery and a drinking vessel perfectly replicating a triton shell in marble. You are initially met with relics of Evans’ excavations – notebooks, photographs, intricate plans of the hundreds of rooms that were uncovered, section drawings – and then turn a corner into a large room showcasing some of his discoveries, immersing you in Minoan culture. Today he is often overshadowed by Arthur Evans, but the Ashmolean sets out to redress the balance with an array of photographs, documents, and a towering pithos storage vessel highlighting Kalokairinos’ achievements.įrom this scene-setting space, visitors then move into a much brighter, airier room where, beneath soaring ceilings, sky-blue joins the palette of red and black, and painted scarlet columns give the feel of being inside the palace itself. (1870-1890) and Mycenae (1876), and he too made spectacular finds, uncovering the remains of what would become known as the Great Palace at Knossos – although local authorities put a hasty halt to his investigations, fearing that finds would be spirited away by the Austro-Hungarian Empire, under whose control the island still partly lay. Kalokairinos’ search had been inspired by Heinrich Schliemann’s discoveries at Troy Leaving behind mythical narratives to explore the material record, the next part of the exhibition concerns the advent of archaeological investigations at Knossos, particularly the site’s rediscovery in 1878 by a local businessman, the fittingly named Minos Kalokairinos. Image: © Hellenic Ministry of Culture and Sports, General Directorate of Antiquities and Cultural Heritage, Heraklion Archaeological Museum Ephorate of Antiquities of Heraklion Legends in a material world This is a rhyton or drinking vessel dating to 1450-1375 BC. While excavations at Knossos are yet to yield evidence of a Minotaur, bull imagery proliferated across the site. In the display cases below, meanwhile, you see how Knossos’ Greek and Roman inhabitants proudly embraced their legendary heritage, minting coins with labyrinth designs how the famous maze was adopted as a medieval Christian symbol and a host of colourful historic maps reflecting early attempts to relocate the site. High up on the walls, snippets from Classical writers including Catullus, Virgil, and Diodorus Siculus encircle the space, adding to the sense of layer upon layer of shifting interpretations. Within this section of the exhibition, visitors also learn about how the myth evolved through time and different tellers. Demonstrating the myth’s longevity in the other direction, its neighbour is another maze-like motif that was created by Mark Wallinger in 2013 for display within the labyrinthine tunnels of the London Underground network. Within the same space, an even earlier fragment of painted plaster – once part of a floor within Knossos’ Great Palace – preserves a winding ‘labyrinth’ design 1,000 years older than any written form of the legend, indicating how long such imagery has been associated with the site. Close-by, a short animation silently summarises the best-known version of the Minotaur story, dating to the 1st century BC – but the tale has much earlier origins, as attested by a selection of decorative 6th-century BC vases displayed opposite. The sculpture had once adorned a fountain in Roman Athens, and was probably a copy of an earlier Greek bronze. Almost as soon as you pass through the gallery doors, you are confronted by the eponymous monster, carved from marble and no less menacing for having lost its horns and limbs long ago. The first portion of the displays, contained in an atmospherically lit red-and-black space, explores the myth of the Minotaur. In Labyrinth: Knossos, Myth and Reality, these illuminating bodies of evidence have now been reunited for the duration of the exhibition: of the more than 200 items on display, more than half are loans from Athens and Crete. At the time, Cretan law required the majority of Evans’ finds to remain in Greece, but the Ashmolean retained his excavation archive. The Oxford-based museum is a fitting home for an exhibition on this theme: Knossos’ most famous excavator, Arthur Evans, carried out his 1900-1905 works during his tenure as Keeper (essentially, Director) of the Ashmolean, and these investigations still dominate interpretations of the site today. Image: © Ashmolean Museum, University of Oxford Knossos on Crete is renowned as the legendary home of the labyrinth-dwelling Minotaur – a heritage that its later inhabitants clearly prized, as this coin with a maze motif from c.300-270 BC attests. In OlliOlli World as long as you’re on board anything goes! 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Some are convinced that there are too few swing voters left in America some that the White working class has deserted Democrats for good some that higher turnout alone can save Democrats while others believe that the entire story is all about voters who switched from Obama to Trump. The combination of conventional wisdom and the pre-existing ideological biases of DC politicos can make for a toxic stew when it comes to analyzing what is really going on in battleground states, especially among working-class folks foreign to many in the DC chattering class. For example, 12% of White voters in the survey said they had been recently foreclosed on or evicted, while 26% - more than double - of people of color said the same. In some cases, the differences were dramatic. In terms of the questions cited above about the tough things going on in people’s lives, people of color had higher percentages than Whites answering affirmatively about negative things having happened to them in recent years in all but two categories, ranging from 5% higher to 14% higher. When you add that 7% to the 4% who are Hispanic, it is clear that immigrant communities are already an important factor in these counties, and it is also clear from current trends that the numbers will grow. not African-American, Hispanic, Asian-American, or Native American. Not surprising for this region, the largest share among people of color is African-Americans at 8%, but one note that may be surprising to some is that the second highest people-of-color category at 7% is people self-identifying as either mixed race or “other,” i.e. In the Factory Town counties in this study, about 79% of the residents are White and 21% are people of color. In the meatpacking industry, as one example, many of the Midwestern factories have a large majority of Hispanic immigrant workers, and in big meatpacking towns like Sioux City, Iowa and Lexington, Nebraska, the Hispanic population has soared. And specifically in the kinds of Factory Towns we are studying, certain towns are becoming much more populated by Hispanic and other immigrant populations. In the 2010 census, 19% of the people in rural America were people of color now that percentage stands at 25%. That was never the case, but even less so today. I know when people think about smaller towns, many assume the voters there are almost all White. This is a challenging set of counties, with voters who are cynical as hell about politicians and government, but we believe that our research has found a path to winning them back to the progressive cause, with the right kind of message and the right kind of organizing. What are the organizing strategies that have the best chance of moving these voters back toward a more progressive-minded politics? What are the progressive messages that resonate the most with these voters? What are the issues and values that matter the most to these voters? Is it possible to shift the dynamics in these counties in order to energize more progressive-minded voters and win over more swing voters? How much of the shift could be explained by voters switching from voting for Democrats to voting for Republicans, vs Democratic voters being discouraged and not voting, vs Republican voters being energized and turning out in higher numbers? What are the factors that have driven these counties toward the MAGA movement? That turned two of the most purple battleground states in the country over the last 50 years, Ohio and Iowa, into states with a much redder hue.Īmerican Family Voices has undertaken a project to deeply study what is going on in these counties and with these voters. That turned two 2008 50/50 states, Missouri and Indiana, into two deeply red states in recent elections. That caused a state not lost by Democrats since 1972, Minnesota, to become a purple state instead of a blue one. The counties where agriculture dominates the local economy had higher turnout than in the past which made them more red, although that shift was nowhere near enough to overcome the Democratic gains in the cities and suburbs.īut it has been the massive voting shift - almost 2.6 million votes lost in net Democratic margin - in the small and midsized manufacturing towns in these states that crumbled the “blue wall” of states that had gone Democratic in every election since 1992. The cities, big city suburbs, and college towns moved considerably more Democratic in these states. The seismic shift that transformed American politics between the election of Barack Obama in 2008 and the troubled times we live in today has many causes that politicos love to debate, but the geographic heart of this transformation lies in America’s classic industrial heartland: the small and midsized Factory Towns of Pennsylvania and the industrial Midwest. At Van Dyke’s, we even offer cabinet hardware backplates inlaid with glimmering Swarovski crystals. You can also select finishes such as a warm shiny brass to add an elegant flair, bronze and iron for a rustic touch or even a more modern brushed nickel. 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Automatic transmission diagnostic average costs and prices However, repairing or replacing an automatic transmission is a costly job, so it is better to keep to the schedule of the recommended automatic fluid change intervals. Some manufacturers don’t recommend the change as frequently as they suggest flushing it only every 100,000 miles and others don’t mention transmission flushes at all.Īutomatic transmissions are susceptible to damage over time, and sometimes a car owner will find, no amount of transmission fluid changes can prevent that. Most manufacturers recommend a transmission flush and transmission fluid change every 30,000 miles or every 2 years. It also helps valve operation, brake band friction, torque conversion as well as gear lubrication. So, all in all, it has a very important job of keeping things running smoothly within the transmission system. 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